Showing posts with label concert. Show all posts
Showing posts with label concert. Show all posts

Monday, April 28, 2008

Optimus Prime is not above changing his appearance to get the ladiez.

So you've probably all heard (I'm assuming that most of my readers are still people that know me personally) that Chiodos and The Fall of Troy were playing in Crotchester 3 days apart from each other. So Chiodos was on Saturday, and Fall of Troy is on Tuesday (tomorrow).
And boy do I have some stories to tell.
It starts typically: about 30 minutes til doors and I don't have a ride.
After calling everyone I know who has a car twice, I finally bribe my friend to give me a ride, and he drops me off about 10 minutes after the first band starts playing.
So, in case you didn't know, Southern California is pretty much the most legit of most music scenes, hip-hop and rap excluded. What this means, is that I am inherently more "brutal" than the entire population of the state of New York, including these hXc kids who take themselves very seriously.
And being the utter humbler I am, I decide to go into the pit and THROW THE FUCK DOWN.
Like, in all honesty, I laid out everyone in there at least once. The best was at this relative lull in the moshing where some 250+ lb. mother fucker thinks he can get the edge in on my by charging his fat ass at me across the empty pit. What he failed to take into account is that little ol' 150 lb. Optimus Prime played tight-end in 10th grade, so I tuck my shoulder down right into his groin-ish area, and literally pick him up and carry him back across the pit into an unforgiving wall of onlookers. The rest of the night went about the same. I busted out some of my two-stepping, threw some shit, got some nice windmill action going - mule kicks weren't allowed though. The security guards weren't having it, so I didn't try it. Anyways, I basically wrecked shit out of all the screamo kids within a 100 mile radius of Rochester. I did, however, lose one lense to my glasses. In my defense, though, the lense was already broken, as was the frame, and the whole apparatus was held together with Krazy Glue, so it wasn't exactly structurally sound to begin with.
I wore my glasses in my pocket for the rest of my dancing during the show.

And in this, I made some friends. Don't ask me to remember their names, because I don't, but they seemed to think I was legit, because I sure as hell didn't go out of MY way to introduce myself after utterly destroying their faces.

I guess my reckless endangerment (or as I like to call it Wreck-ful Fun-danger-ment) didn't go unnoticed, though, because between the second and third bands, two security guards grabbed me. One stood behind me and pinned my arms against my side and started steering me towards the door, the other one walking beside me with a hand on my neck. They got me to just outside the door of the club, and the one behind me says to the one with his hand on my neck something to the effect of "You go out first, we don't need a fight right here." Neck-guy obliges.
I see a small group (3, maybe 4 people) standing there huddled around another person. Great, I figure. I accidentally murdered some dick with my hardcore, and I'm about to get kicked out.
Neck-guy "Is this the guy?" pointing at me, speaking to the group of concerned scenesters.
Scenesters "No."
Arm-guy lets go of me, and without any further explanation, I walk back into the club. I'm not entirely sure what happened, but to the best of my understanding, someone wearing either a headband or a blue shirt (the only two things about me that really stood out in particular in the dark club) must've started a fight with one of the Scenesters. Dodged a bullet there, if I do say so myself.

Mkay, so anyways, the show finishes, it's great, right? The Color Fred, Drop Dead Gorgeous, From First to Last, and Chiodos; all great bands. Well I had run into my roomate's ex-girlfriend's roommate, and she had agreed to give me a ride back to campus at some point during the show (since I hadn't arranged for one of those, either).
Well about 20 minutes pass, doors close, and there's maybe 6 people inside the venue, and no sign of the bitch. She ditched me.
That's when I start asking all the people near me if they were going back to the neighborhood near RIT. Not much luck, until a group of four girls exits the building, and sure enough, 2 of them live like walking distance from campus. I score a ride, and 2 of the girls (the two near RIT) are actually pretty cute, so it works out well in more ways than one.
The fat one driving, though, says that I have to chill for like 15 minutes, because I guess they were on a mission to sell themselves to Craig Owens, the singer for Chiodos.
Needless to say, they failed. I had to knock on two tour buses for them, just to find out that he had left right after the show. Not really surprising, but whatevs.
Anyways, we're riding back, find out one of the girls is taken, the two fat ones live in Buffalo (an hour away, phew!) but the last one is single, cute, and 17!
I get back to RIT, and score some digits. I'll definitely be seeing these ladies around Crotchester, and the two cuter of the 3 single girls addered me on MahSpace.

Yeah, it sounds really trendy and scene and poseurish, but what the fuck, I go with it, because these kids are legitimately cute.
And in keeping with the theme, I give myself a haircut tonight.
It looks like this:

Fuck what you say, I'm gonna be ROLLING in the poon when the chicks get a load of this shit.

Sunday, November 11, 2007

Streetlight Manifesto

I know its been a while since I talked about music, so... here it is: A Concert/CD review + analysis (that makes three parts, by my calculations.)

Part 1 - Somewhere in the Between CD review:

HOLY. MOTHERFUCKING. SHIT.
The End.

(Ehh... let the record show that while it still hasn't technically been released, it leaked after I pre-ordered my copy, so I feel no shame in possessing the songs. So there.)

Part 2 - Streetlight Manifesto + Suburban Legends + The Stitch Up at Club Infinity in Buffalo, Nov. 7, 2007:

HOLY. MOTHERFUCKING. SHIT.
Also, there was a girl/group of girls (?) that kept pinching my butt. It was flattering while being simultaneously annoying.

Part 3 - Lyrical Analysis of Streetlight Manifesto's Discography (plus a little bit of BOTAR):
I'd be lying if I said that I had a true, clear-cut knowledge of everything behind Tomas Kalnolky's songwriting, but I do think I have a few good theories.
Let's start by evaluating the albums as wholes, before I delve into the intricacies of specific songs and lyrics. I think it's no mystery to anyone that Kalnolky's songwriting is always occupied by some air of death. There's a lot of lines about war and dying, which is the first connection I think everyone develops in thinking about the themes of Streetlight Manifesto's music.
That being said, I think that Streetlight's albums are an allegorical portrayal of Death. The "story" begins with Keasbey Nights, though the title by itself is unincriminating, taken with the other albums, it seems to be a metaphor for the last days of a dying man... the dawn of a life, if you will. Next up is Everything Went Numb... uh... if you can't see how that symbolizes Death, than you are most definitely something that rhymes with "numb," but then I wouldn't expect you to understand anything more complex than a nursery rhyme. Anyways, Somewhere in the Between in every aspect SCREAMS afterlife. The very first line on the album is "I once knew a guy obsessed with the afterlife." Dhurp. The cover art... the brown circles seem to represent the earth, then red fire beneath that (hell) and white/blue swirls that seem to be clouds (heaven) beneath the fire. Youmight be asking yourself "Yo Prime, why would Hell be above heaven?" Good question... NOT. It's obvious. While Kalnolky seems almost fascinated with the afterlife, it seems pretty obvious that he doesn't really believe in it. Take the second line from SitB, for example "Oh what a terrible day that was he realized he wasted all his time." There you have it. The afterlife is a waste of time.
Ummm... There's more... but I'll save it for a later date, because - as I'm sure youcan tell - my writing is a little unfocused and disjointed right now.

Autobots... ROLL OUT!

Tuesday, September 18, 2007

Dancing: Is there anything it CAN'T do?

There was a show on campus the other night called Skafest. It was $1.
Needless to say, I was in attendance.
The highlight of the evening, probably, was when I was skanking (for you more ignorant reader, that's what you call dancing to ska music. It has nothing to do with my man-whorish tendencies) behind this pretty cute girl (I'd say 3 1/2 stars) who was wearing a tight dress and some tights. Anyways, she had a nice butt, and in keeping up with my manly status of... well, Me (yes, Optimus Prime is a status now. It's somewhere above Jesus, but slightly below James Bond) I decided to practice my "C" from Maddox's Alphabet of Manliness.
A quick aside: for those of you who don't know, the C in the Alphabet of Manliness is for "Copping a Feel". If you don't know what the Alphabet of Manliness is, Google it, then fuck off and die.

Long story short, I grabbed her butt. It was nice.